Tag Archives: Britten

Coal Face, A Tale of the Working Class – coming to Barnsley

In 1935, the General Post Office (GPO), commissioned a film that looked into the everyday working lives of the coal mining industry – Coal Face. The film looked at the processes used within the industry, and the methods of extraction and treatment of coal. Aside from this, is had the aim of exploiting new methods of sound recording.

The film looks at the structure of the coal industry and the processes used. Coal Face was an important film both for its innovative style and its ability to express critical social comment.

ImageThis was the first time that poet W.H. Auden and composer Benjamin Britten worked together, and the result has since been well documented, as ‘one of Britain’s most avant-garde documentary films’ and a long-term collaboration between the two men. At the time Britten was an up-and-coming student at the Royal College of Music.

Music and film is something Britten explored on more than one occasion. Some listeners may be familiar with other works of his, such as ‘Night Mail’, or ‘The Way to the Sea’. As part of the on-going celebrations of Britten’s life, Coal Face is coming to Penistone Paramount next on 4th April.

What more appropriate space than the beautiful surroundings of the Paramount, a traditional two-tiered cinema and music-hall in the heart of coal-mining country. Britten was a great believer in collaboration, bringing together different artforms and communities and taking music out of its traditional setting. In that vain, on 4th April Coal Face will be shown in the good company of some of Britten’s chamber music performed live by Ensemble 360, new film created to go with some of that music and a new piece of music with film written to celebrate a different element of Yorkshire’s industrial heritage; steel. Hopefully Britten would have approved!

The premiere of ‘Transformations’ took place last year in Sheffield’s Showroom Cinema last May and since then, elements of the programme have been on tour across the country.  Due to the success of the event, Music in the Round, the UK’s leading promoter of chamber music outside of London, are bringing it back to its South-Yorkshire home for this final performance – not to be missed.

For more about the event or to book please click here

Listen to some of Britten’s music and find out more about it at www.britten100.org 

By Tom Hobson, @tomhobson

@musicintheround
#musicandfilm #transformations #britten100 #BarnsleyisBrill

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Get your popcorn at the ready as Ensemble 360 come live to your living room!

“This was one of the most exciting evenings I have been to with MitR.”

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This was one audience member’s response to the premiere of our innovative Transformations event at the Showroom Cinema as part of our last May Festival. It was an incredible evening that celebrated two significant centenaries – that of the discovery of stainless steel and that of composer Benjamin Britten – through bringing together film and music in a way that we hope Britten himself could have been proud off.

If you weren’t one of the almost 1,000 people who saw the premiere, either live at the Showroom or via live-webstream, last May, never fear – here’s your chance to hear it again.

Log onto www.musicintheround.co.uk at 7.30pm on Saturday 16th November to see a restream of the premiere event. You’ll also be able to download a concert programme to tell you more about what you’re watching and the centenaries it celebrates.

The main event will be followed by the short film that the pupils at Watercliffe Meadow Primary School created in response to Britten’s Metamorphoses and Katie Goodwin’s film by working with us, the Showroom and the artists themselves (click here to find out more).

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By Tracy, Project Manager (@tracyMitR)

Webstream by DVA Group. Filming by Soundhouse Media. Sound by Shaun Trotter Audio.

Transformations film published!

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Following on from my post a couple of weeks ago about Transformations in schools, and a couple of long late nights later, here’s the finished film!

What do you think?